previously published on Asian Movie Pulse
There
is a lot of controversy about the Chinese films being pulled out of
this year´s Berlinale. Having in mind that Generation title "Better
World" was yanked out just before the festival and Zhang
Yimou´s "One Second" was
canceled and replaced by his old title "Hero" just days
before its scheduled premiere, some might say that the sensitive
situation with Ye Lou´s
"The Shadow Play" (it got its permission from the national
board shortly before the festival) got resolved without much fuss.
The film was screened at Panorama and faced immediate positive
reactions from the international press.
It
is a crime story in a noir-like mystery key set in the ever-growing
city of Guangzhou and amongst its real estate tycoon elite. In the
midst of the turmoil about an urban development project that would
leave a number of poor people homeless, the supposed leading man
behind it Tang Yijie (Zhang Songwen)
was found murdered. The hotshot police detective Yang Jiadong (Jing
Boran) is assigned to the case and his
investigation leads him in a number of counter-intuitive ways that
might concern the murdered man´s business and personal ties. He is a
man of a peculiar past connected with the town´s most influential
businessman Jiang Zicheng (Qin Hao)
in ways that exceed just business partnership.
Yang
finds himself on a slippery road at the early stages of investigation
when he gets involved with Tang´s long-suffering wife Lin (Song
Jia) who also turns out to be Jiang´s
lover. Tang´s daughter Nuo (Ma Sichun)
might also be involved and a mysterious disappearance of a company
woman Lian Ah Yun (Michelle Chen)
seems to be the key for resolving the murder. Is Yang going to be
successful in the battle of the wits with his richer and more
influential advisories?
"The
Shadow Play" is the film with a more than a fitting title where
the viewer is spoon-fed the information about a very complicated plot
masterfully written by Mei Feng,
Qiu Yujie
and Ma Yingli.
As a director, Ye is does a good work, showcasing his perfect sense
of rhythm and the ability to control the tempo, profiting on
perfectly timed shocking revelations, sharp left-turns and nicely
packed flashback moments that provide the key information about the
characters and relationships.
Production
design is also compelling for the story that stretches over the
course of two decades and three major metropolitan cities in three
different systems (Guangzhou, Hong Kong and Taipei). The camerawork
by Jake Pollock
based usually on shaky hand-held shots sometimes suits the film well,
while occasionally getting exhausting, especially when overdone in
action scenes. The blurred colours are generally a nice touch.
Regarding the acting, there was not much to be
done since most of the characters fit the noir genre types, while
regular bursts of melodrama from the story background also take their
toll on the actors. However, the complicity of the crime and
corruption plot and the sheer intrigue of it propel "The Shadow
Play" to the ranks of an essential watch for genre lovers with a
special taste for contemporary Chinese cinema.
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