19.5.24

A Film a Week - Extremely Unique Dynamic

 previously published on Asian Movie Pulse


Two buddies, Ivan Leung (an actor with several bit roles mostly on TV under his belt) and Harrison Xu (a prolific voice actor specialised in English-language dubbing of Asian series) and their actress-filmmaker friend Katherine Dudas decided to make a movie. About two aspiring actors friends making a movie. About two friends making a movie. How meta is that? Double or triple? Anyhow, that is how a little no-budget indie comedy “Extremely Unique Dynamic” was born, and we got the chance to see it at Caam Fest…

The plot is actually a simple one. Daniel (Leung) and Ryan (Xu) are life-long besties that have been trying to become famous for all their lives. As kids, they used to play filming their shenanigans with a camcorder, and as adults they are aspiring actors and roommates in Los Angeles that spend most of their time auditioning endlessly and posting the stuff they make together online. However, Ryan is about to move out to Canada with his girlfriend Harper and the two buddies have only one last weekend to say goodbye to each other and to their dynamics.

Choosing between the usual stuff like getting stoned and visiting the places of their shared past for one last time, they decide to make their own movie. One of the troubles is that their tastes and their knowledge of the different “lores” differ greatly, which is the reason why the more proactive of the duo, Ryan, insists on meta-approach, which Daniel accepts in order to raise some of the issues in their own relationship while hiding behind the character and using it as a mask of sorts. What started as a (potentially stoner) buddy-buddy comedy quickly turns into an indie drama where two people talk about feelings…

As filmmakers, Leung and Xu try to hit a number of topics and issues regarding the film industry nowadays, the Asian-American experience and its representation in show business and the gay-straight buddy dynamics in very brief format of just above 70 minutes. As a person with one feature film under her belt already, Katherine Dudas presumably serves as a coordinator in order for the story not to get derailed. The trouble is that all topics the trio aims for are touched only superficially and with a lot of redundancy, while there is also (at least) one meta-level too many in the very structure of the film, and it serves pretty much as an additional burden. Also, their directing style is very plain, usually relying on the series of reverse shots for dialogue scenes, which might signal either the lack of imagination or the lack of funds. Luckily, some of the jokes written in the script hit the mark spot on, while the fact that they also take jabs at the pillars of the Asian-American experience is also quite commendable.

Acting-wise, the actors in the duo might not be strong enough to pull the weight of the whole feature movie that would serve better as a short. On the other hand, they are trained enough to nuance the shades of (bad) acting on different meta-levels, which is also one of the better executed jokes. Also, the appearance of Hudson Yang (of “Fresh of the Boat” fame) in an extended cameo that eventually takes turn to the territory of Kevin Smith’s Silent Bob character works both as an elaborate film industry joke and as something that elevates the acting dynamic in some scenes.

The technical aspect of the film remains on a pretty basic level, with some questionable production values, but it is somewhat expected for a non-budget movie. It might also be a deliberate choice, given that the cinematographer Steven Shulgach and the editor Michael Scotti Jr show that they are capable of doing their jobs properly at moments they are allowed to. The whole thing could actually serve as a study how (not) to stretch something that could be a podcast episode laced with some videos to a feature film, especially when the highlights such as two music video for a couple of dumb catchy tunes and one animated sequence happen during or after the closing credits sequence.

In the end, “Extremely Unique Dynamic” does not live up to its ambitious title, but it can be fun. Sporadically and in a “slacker-ish” kind of way.


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